The encoding options you choose can potentially cause the run-time or the file size to go over our specifications. Not be encoded with VBR or joint stereo options.Īlso be cognizant of ACX’s file-level requirements.Be encoded at a bit rate of at least 192kbps, and contain a sampling frequency of 44.1kHz.Be all mono or all stereo (though we strongly recommend mono).Keep ACX’s Encoding Requirements in Mind. That post contains a link to our instructions detailing how to encode your audiobook to ACX specifications using the free and cross-platform fre:ac encoding software. I cover this in more detail in my post, Encoding Audio with Andrew the Audio Scientist, but I’ll summarize here. ![]() If everything looks ready, then we can begin the encoding process. The post-mastering QC pass needn’t be as in-depth as what I recommend in the article on editing it could be as simple as verifying the volume levels are meet our specifications, that the content is complete, and that the audio files are numbered and named in the proper order. After putting so much effort into your production, the last thing we want to do is send an audio review notice to fix missing chapters or out-of-order audio files. I recommend you perform another final QC pass on your audio before moving on to encoding and delivering your audio. Keeping that in mind, watch the final video in our series, and review the key points I discuss after. Upon a successful master, your audiobook production is not quite finished. No w that you’re caught up, let’s move on to the fourth and final part of my series: encoding and file delivery. If you haven’t perused these posts, I recommend doing so before continuing on. If you’ve been following this series, then you’ve read up on The ACX Mile, which helps you perfect the art of narration recording, perform a complete edit and QC your recorded audio, and learn audio mastering best practices. Welcome back to How to Succeed at Audiobook Production. You’ll also learn what other equipment you’ll need, such as an audio interface, studio monitors, and software plugins. What The Heck Does PFH Mean in Voice-Over Job Quotes? – via Gary Terzza – For newbies, Gary’s got a quick explainer on what goes into your per-finished-hour narration rate.Ĭhoosing the Right DAW – via Dave Courvoisier – “If you’re a complete beginner, this article will take you through the entire process of choosing the DAW that’s right for you. It’s based on three P’s: Prioritize, Plan and Pace yourself.” Ann Utterback – “So how do you survive a marathon at the microphone? I have an easy process for you to remember. Surviving Marathons at the Microphone – via Dr. Instead, it’s what makes you comfortable so you can do an excellent job recording and impress the heck out of your clients who will shower you with repeat work.” It’s not a reflection of what makes you, you. Christopher Dunn – “The accumulation of booth gear doesn’t necessarily reveal the type of person you’ve become. To get you off on the right foot, here are four of the most common questions I get about Instagram from clients, answered.” For Producers: How to Use Instagram to Promote Your Book – via CreateSpace – “A lot of authors are initially a bit baffled as to how to use such a visual medium for book promotion. Repeat After Me: “Goodreads Is My Friend” – via Writer Unboxed – Learn how authors can make the most out of bookworms’ favorite website. ![]() If nothing else, your readers are coming to you for your voice, and that is one thing you are an expert in.” The Ultimate Book Marketing Strategy is Surprisingly Simple – via The Write Life – “A lot of the foundational skills of writing and storytelling are a good foundation to build from for the rest of this stuff. Your Media Book Pitch Can Open 1,000 Doors!– via The Book Designer – Looking for opportunities to promote your book on TV? Find out who to contact and what to say in this helpful post.
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